Smiley’s Neighborhood

They're striking the death penalty and life imprisonment provisions.  Make no mistake: this bill is still abhorrent, but at least it's not going to be hanging people for being attracted to their own gender.

Bloomberg.com reported the update.

Athlete: Four piece out of London, England. You’re probably familiar with their 2005 single Wires, which saw them being becoming household names in the UK and even saw them make it to Australia. Unsurprisingly, this wasn’t their first release (Vehicles and Animals was their first full-length album) and hasn’t been their last.

Following the release of Tourist (the album that contained Wires) was the release of the 2007 album Beyond the Neighbourhood. I must admit, this release didn’t make a big impact in Australia and as it seems, didn’t make it into the collection of many, claimed to be considered “a disappointment” by some.

Much like Coldplay, Athlete has been critically acclaimed for their songwriting efforts picking up a Mercury Music Prize nomination and winning an Ivor Novello award for Wires. The band has additional similarities to Coldplay, in that their music it quite mellow and mature; appealing to a slightly older audience than your general indie-pop/rock. If you hate Coldplay though, never fear their music is not quite in that same realm of “ya mum probably likes it”. That is, I don’t think mums would dig Athlete. They still retain that slight edge which will appeal to the kids, but maybe not the ones that think dressing like they stepped out of the 80’s is cool.

To celebrate the upcoming February 2010 US release of the bands fourth full-length album Black Swan (the album was released in the UK in August), the band have recently released an EP entitled, The Getaway.

Black Swan, is not, as you may have thought, a tribute to the state emblem of Western Australia, but apparently, encompasses the events and emotions that the boys from Athlete have gone through. Based around the tale that saw the Black Swan being seen as a mythical animal for hundreds of years, until someone went to Western Australia (obviously) and the metaphor that life is made of up significant events, some of which can be shocking, both good and bad.

Don’t worry, it’s not all sadness and gloom. The first single from Black Swan, Superhuman Touch (which is also on the EP), is quite upbeat and lyrically uplifting. Whereas the EP title track, The Getaway, is less uplifting, but just as heartwarming and emotive lyrically.

To mark the EP's release, Athlete is offering a free download, which is a deal well worth jumping on. So, to get your grubby hands on this freebie you just need to pop along and join the mailing list at http://www.originalsignalrecordings.com/Athlete/us/

You can also download the EP from iTunes at http://bit.ly/10Dcg3

http://www.athlete.mu/

Sally

sally@weheartmusic.com

JUST LIKE CHRISTMAS
We've been receiving a ton of Christmas/Holiday recordings lately. It's really hard to pick and choose what I'll be writing about in the upcoming week. I might as well get on top of some of these recording. Today we have Kill It Kid (killitkid.com / myspace.com) If they sound familiar to you, that's because we've previously mentioned them before.

Their song, "Just Like Christmas" is a cover of Minnesota's own Low. Since we're from Minnesota, this is worth checking out. You can download your own copy in a variety of formats (including flac) over at www.killitkidchristmas.com.

Low's ‘Just Like Christmas’ is a great tune, with an understated lyric and tender sentiment that we felt - with all our festive strength - we could break into a duet and still compliment the narrative. So we put it in front of the fire, filled it with cinnamon, brandy, and cranberry sauce and put some spurs on it!

-- singer Chris Turpin

The band is finishing up their 2009 tour:

12 Dec Play It By Ear @ The Monarch London
15 Dec The Glee Club* Cardiff
16 Dec The Duchess* York
17 Dec Jericho Tavern* Oxford

* with Foy Vance

Speaking killing...

MYSPACE MUST DIE!!
As you know, it's the nature of the business, but I have to use myspace because of its deep roots in music. Anyway, by choice, I am using Firefox 2.0. I tried 3.5, I don't like the way it handles scripts ... and there are some themes and extensions that does not work in the latest version, so yes, I'm still clinging on 2.0.

About a few weeks ago, myspace made this boneheaded decision that it wouldn't let you in if you're using old browsers. It's okay, it's not like I actively use myspace, but as the weeks went on, I realized I had to stop ignoring this problem.

So here is the solution for those of you suffering from the same problem (such as all Mac firefox users, apparently): get User Agent Switcher 0.7.2.

This little extension tells myspace, "I'm Internet Explorer 8, let me in!!". If you want to fool it into thinking you're running Firefox 3.0, add the following in "new":

Mozilla/5.0 (Windows; U; Windows NT 5.1; ; rv:1.9.0.14) Gecko/2009082707 Firefox/3.0.14

That should do the trick.

PS, User Agent Switch is also useful when you stumble upon a "members only" forum. You simply change your agent to "Googlebot 2.1".

Someone Still Loves You Boris Yeltsin at The Bell House, Brooklyn (12/7/09)

In terms of favorite bands with excessively long names, Someone Still Loves You Boris Yelstin is right up there with The Pains of Being Pure at Heart and Suburban Kids with Biblical Names. (Fun Fact: There’s a band called Meanwhile Back in Communist Russia that won BBC Radio’s title for worst band name ever. When you think about it, the Soviet Union is a rich source for potentially awful band names, IE: Lenin’s Mausoleum, Khrushchev’s Thaw, The Gulag, etc. etc. etc.)

Anyway.

SSLYBY at The Bell House, Brooklyn (12/7/09) ♥ photo by Dave

SSLYBY provided a refreshing lack of plaid and/or flannel to the Bell House on Monday night. It was nice to see a band so sincere and enthusiastic, whose only incidental brush with pretense stemmed from the fact that their bassist/drummer bore an uncanny resemblance to Michael Cera. They seemed so affable that one wayward audience member felt compelled to describe them as “the Jimmy Buffet of the indie world.”

They opened with “Pangea,” the jangly first track from their debut album, Broom. However, the jangle did not seem as prevalent live as it does on the album. To borrow a word from Chuck Klosterman’s phrasebook, the songs sounded considerably more “trenchant” compared to their recorded counterparts. This wasn’t necessarily a bad thing, as it gave pop-centric tracks like “Oregon Girl” and “Gwyneth” a slight edge. It also allowed them to turn the bittersweet confection that is “Dead Right” into a slow-burning, thumping number.

Singing duties switched between guitarists, John Cardwell and Philip Dickey, and they invited friends on stage to sing and play the occasional tambourine. The audience was peppered with their fellow musicians/friends, such as Jason Anderson and Paul DeGeorge from Harry & the Potters. With such support, it was only natural that an impromptu audience rendition of Aladdin’s “A Whole New World” should happen. (It did. It was short-lived but sweet.)

They ended the show with “Modern Mystery” before returning for a much-welcomed encore. Say what you will about their clunky name or the curse of USSR-related monikers, but overall, it was a perfectly lovely show. Besides, how many Putin-inspired bands have you heard of lately?

Photos by Dave: