Smiley's Tropical Escape

Navel Gazing / Writing 2

nobody@vox.com(Smiley) — Sun, 08 Jun 2008 13:29:28 +0900

Last week, I wrote about a book I've been reading: "Leaving a Trace: On Keeping a Journal" by Alexandra Johnson; I mentioned that she placed several writing / journaling exercises at the end of each chapter. I had thought to use some of the exercises as the basis for posts for this blog, but after having finished the book and tried some of the exercises, I found that they were just too raw and private for me to want to place here.

Instead, rather, I thought I would post a list of some of the exercises I liked most. Some I have tried and some I have yet to try; also, this list is in no means comprehensive, nor is it direct quotes. These are pieces I have taken from my notes on the book and I would recommend that anyone who finds them interesting or intriguing invest in a copy of the book for themselves.

So, now that all disclaimers and caveats have been said, here's my list:

* Visualize your first journal; use your senses to do so

* Mindmap your personal Censor; fears and blocks you may have

* What are 3 memories you would never forgive yourself for not writing down?

* Describe a single scene from multiple perspectives

* Make a companion journal for family videos

* Write snapshots for several stages of your life

* Examine what's still unsaid in an old journal

* Re-write an old entry in the third person

* Ask 3 people who have known you to write a letter describing you

* Write to someone who is no longer in your life

Good luck and good writing.

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Navel Gazing / Writing

nobody@vox.com(Smiley) — Sun, 01 Jun 2008 20:24:15 +0900

Leaving a Trace: On Keeping a Journal

Alexandra Johnson

About a year ago, my mom gave me a book, "Leaving A Trace" by Alexandra Johnson. The book is non-fiction, giving advice and inspiration to aspiring diarists and journal keepers through example and demonstration. It is charmingly written, gentle in its admonishements to get, and keep, writing, and altogether worth reading.

Naturally, I ignored it.

I mean, Mom gave it to me, I read the introduction, thought "aww, isn't that nice" and put the book on my "to read" shelf and left it there until last Friday.

Last Friday was the second of two days off where I got nothing, and I mean, nothing done. I just felt drained and had no creative energy to do anything. And for some reason, one of those strange feelings that are best left unexamined lest they vanish, I started reading "Leaving A Trace".

I haven't felt this inspired and ready to write in years.

A couple of years ago, 2004 through 2006 to be specific, I managed to write everyday. Whether it was online, or in my paper journal, or in some sort of story, I managed something everyday. For a full three years. 2007 hit and I couldn't do it anymore. I just needed a break. Since January of this year, I have been trying to get re-started and nothing has geled.

But, as I said, this book is inspiring. So I'm going to follow some of the writing exercises listed at the back of each chapter as a way of re-kindling some old creative fires. I may even post them here.

If you're anything like me, a half-hearted diarist, wannabe writer, would-be journalist, you may get some value out of Ms. Johnson's book. Good luck.

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Orange Sestina

nobody@vox.com(Smiley) — Sat, 04 Aug 2007 22:58:34 +0900

Orange Sestina

We used to lie in the dark, the trees heavy with oranges.
Out of our houses, through windows we would sneak.
The car had to be pushed down the road, stuck in neutral
waiting for the right moment to start. Do you remember
giggling and shushing each other, dancing in the shadows
made by the headlights. We thought we were in love.

She was the first girl who ever used the word love
in reference to me. I panicked, I pulled an orange
down from the nearest tree and threw it into the shadows.
She frowned and looked like she wanted to sneak
away. And you came around, do you remember,
and you said that's too bad, your tone so void, so neutral.

Emotions played across my own face, not one neutral
I know. I think I turned to you then and asked for your love
but I may have just imagined that. I don't remember
anything clearly except the deep scent of the oranges
in the night. But you kept close to me and we would sneak
kisses in between jokes and always only in the shadows.

She saw us then, whispering and laughing in shadow
and this time it was her voice that was kept neutral
as she called me a liar and you a whore both of us sneaks.
But we said it did not matter, not because we were in love
or anything like that. But because it was summer and oranges
were made not for avoiding, but for eating. Remember?

She left and took our friends with her, do you remember?
She left and we were there, in my car, in the shadows
in the desert, near the canal, deep in the groves. Orange
peels littered the ground and our hands were far from neutral
as we felt and fumbled and clumisly played at our love.
Later, I think, I laughed at us being called sneaks.

As if we were spies, educated and trained to be sneaks
instead of fools who thought oursleves clever. Remember?
It would not have been so bad had we had truly been in love,
I think but we did not learn. Our affairs last in others shadows
and now I no longer know how to keep my face neutral
when I grow melancholy for the acidic taste of an orange.

Now you speak of me and of love, and ask me again to sneak
through the orange grove and it seems you don't remember
promises we said in shadows: I do not love you, I am neutral.

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Under Glass, Sepia

nobody@vox.com(Smiley) — Wed, 01 Aug 2007 21:15:34 +0900

Under Glass, Sepia

Bound in leather, volumes linger on the walls,
Scribbled, flooded, and annotated, lining breaks,
Lost and confused, Beauty, thought crawls,
Try to spare the lash of your tongue; my eyes only take.
Our memory locked in silver frame resides,
Smiles lie still imprisoned on faces sepia,
Colors leach from imprisonment; chemical hides.
Sunlight glimmers from hope, winter nostalgia.
Never reconciled have we ever tried to be,
Neither missive nor epistle ever have we sent;
And regrets are easier for fools wishing for free.
Still there has been no sin, so shall I not repent.
Yet thought slinks back, in pain and meant to rend:
If only my eyes could clear, this light would never end.

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Script Frenzy 2007 Results

nobody@vox.com(Smiley) — Sat, 30 Jun 2007 01:27:49 +0900

SF_Winn_120x240

Yup. Finished my script tonight. All 20,000 plus words of it.

Don't know if it's any good, don't really care. It's done. It can sit in the drawer for a few months until I'm ready to deal with it again.

I think I'm ready to go to bed now.

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I've Got An Idea for a Movie

nobody@vox.com(Smiley) — Fri, 01 Jun 2007 11:23:51 +0900

SF_Part_120x240

Everything's all set up and ready to go for Script Frenzy. I have my profile up and my project created in Celtx. I even have an idea.

Now it's just getting down to tacks and getting it done.

So far, I'm off to a good start. Got the opening scene done this morning and a couple of secondary scenes. I know who my primary and secondary characters are. Yup, it's all set up.

The goal is a 20,000 word screenplay and I'm aiming for 1,000 a day, just in order to give myself plenty of leeway and re-writing time. Of course, I don't think I'll have a perfect, polished screenplay in a month, but I do hope I can churn out a decent rough that I can then polish.

Maybe.

Oh, and the title for this post is stolen directly from the Vandals. Just so you know.

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300 Words at a Time

nobody@vox.com(Smiley) — Mon, 05 Mar 2007 22:17:37 +0900

Last month I entered the Escape Pod Flash Fiction contest. I didn't win but I thought I'd put my entries up here on Vox, just for the fun of it. Comments are welcome.

Anxiety Closet

Robert lay in bed, frowning. He kept wondering why he had gotten stuck in the room with the glowing closet. First the mosquitoes, then the snakes, then that bully Williams, and now, this.

He frowned again, and sat up.

He walked to the closet and thrust the door back. The small, wizened, old camp gardener sat on a stool watching something like a grainy-screened, portable television.

Robert blinked in surprise. "What are you doing in here?"

The man looked around at Robert, scrunching up his nose to push his glasses farther up his face. "Eh? Oh, I get better reception in here." He pointed at the rabbit ears on the device.

"That's not a t.v."

The old man shrugged. "Yes it is."

"I have to sleep."

The old man seemed to notice Robert's official Camp Hibiscus pajamas for the first time. "Give me five minutes?"

Robert frowned. "Five minutes." He slid the door closed and walked back to his bed, taking off his slippers and laying down. Robert sat back up and put the slippers back on.

He shuffled back over to the closet and whipped the door back. The old man glared at him.

Robert said, "What are you really doing in here? Really?"

The old man sighed. "I'm trying to contact any passing aliens to come get me out of here."

Robert, still frowning, said, "Oh."

"Yup."

"Any luck so far?"

The old man said, "Not yet."

Robert said, "Ok then. Goodnight."

Robert slid the door shut again and shuffled back to bed. After a few moments he got up and walked back to the closet. The old man looked at him.

"Can I go too?"

The old man nodded, once. Robert went back to bed, smiling.

Lost to Translation

"Ma'am, I'm sorry but I have to take the child."

"No!" Theresa knelt in front of the Translation Services trooper, clutching the child to her. "He's my nephew. I have papers that say so! You can't take him!"

"Ma'am, we know he is your son." The trooper frowned in professional sympathy. "I promise you that no harm will come to the boy. He will lead a full and active life in the service."

"He'll be all alone out there, with the Xylth." Theresa continued to hold the child to her, rocking him gently.

"Ma'am, I am a Translator myself and I can assure you he will grow up with many friends and will fulfill an important role in society."

"We'll never see him again. He'll never know his family."

A second trooper sneered. "You should have thought of that before you had him then, huh?"

Theresa sobbed.

"Garcia, outside, now!" The first trooper turned back to Theresa. "Ma'am, I'm sorry, but it is the law."

"But our boy was killed so we thought we could just..."

"Ma'am, I'm sorry for you loss but the Breed Law is for there for the protection of all of us and there are no exceptions. I'm sorry."

"You were a translator?" Theresa's hold on the child gradually eased.

"I am a translator Ma'am. I grew up on Waith. I am fluent in the languages and the cultures of the Leeth Empire and consider it home."

"You will look after him?"

"I am his transfer officer, Ma'am. I will see him safely established in his new home."

"But will you care for him? Play with him? Read him stories?"

In answer, the trooper knelt down and reached out to the child. "Hi. I'm Sam. Do you like spaceships?"

The boy nodded and Theresa let go.

Caught Out, Again

"Where the hell have you been?" Angela said, her voice flat and hard with anger.

"Out. With the guys." John looked down at his feet and tried not to sound petulant.

"Really."

"Yeah." John straightened. "Really."

Angela walked forward, a quick two steps, and slapped John across the face, leaving a hand print and a sting. "Then why," she said, her voice rising with each syllable. "Is there", she pushed him. "Lipstick", she slapped him again. "On your," she said, her voice breaking as she screeched "collar".

"Aw, c'mon. It's just the guys pulling pranks." Anger made John's voice high and brittle. "She didn't mean anything!" He backed away from Angela, hands clenched at his sides.

"She? She?" Angela's eyes welled with tears and John's anger vanished.

"No...I mean, the guys hired...what I mean is..."

Angela turned from him and put her hands in front of her face, muffling the sound of her crying. "John, how could you."

"It was a mistake baby. C'mon baby. Baby?"

Angela had not moved. John walked over to her and touched her lightly. Angela still did not move. He stepped in front of her, and peered at her eyes for a while. Then he sighed.

John reached into his pocket and pulled out a small phone. "Jerry? Yeah, look, she shut down again. Yeah, right before the good part, wouldn't you know. Anyway, you think you'll be able to get her up and running before the weekend? Ok, just charge my accont? Thanks."

John walked to his bedroom closet and turned on the light. He brushed past several pressed suits and shirts until he found a bright white dress shirt. Sitting down on the edge of his bed, John took the shirt from its protective covering and began smearing lipstick on the collar.

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Submission

nobody@vox.com(Smiley) — Wed, 28 Feb 2007 22:00:52 +0900

Well. I managed to submit four items in the month of February. I know three have been rejected, although the fourth was just sent out tonight, so here's hoping.

In the meantime, should anyone need me, I'll be in the corner, hyperventilating.

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VL2F: My Mission Statement

nobody@vox.com(Smiley) — Sun, 18 Feb 2007 23:12:42 +0900

I AM a writer, a photographer, painter, blogger, husband, teacher, persuader, convincer, conniver, coaxer, pusher, junkie, monkey and monkey trainer, and in no particular order.

I am working on the zero draft of a mainstream novel called "The Search," the first draft of a science fiction novella called "Shudder," and the second draft of another mainstream novel called "Sitcom Semester".

I am devising, scheming, plotting, or generally thinking about a painting called "Purple", a list of classic novels I have never read, a list of movies I want to watch, a series of texts purporting to improve my Japanese, Don Quixote, again, and buying a house.

But mostly, I write.

Always,

Smiley

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